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Soft Cell's Creative Genius Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) formed Soft Cell alongside Marc Almond at Leeds in 1977

Dave Ball, one half of the innovative 1980s electronic music duo Soft Cell, has passed away at the age of 66.

Alongside singer Marc Almond, the pair scored a global success with their cover of Gloria Jones' Tainted Love in the mid-80s, and their debut album their initial full-length release is regarded as a classic of electronic music.

He subsequently formed the pioneering electronic act The Grid, who achieved chart success with 1994's the hit Swamp Thing.

Ball died calmly in his sleep at his residence in London on Wednesday 22 October, only a short time after performing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

At that performance, Ball performed in a mobility chair, as he had for the previous couple of years, after a spate of health issues.

"I ended up injure myself significantly," he commented in 2023. "I fractured lower vertebrae in my spine and cracked about multiple ribs and broke my arm."

Following catching a lung infection and developing sepsis, he was put in an medically-induced sleep and remained in the hospital for half a year.

Nevertheless, he had been in "high spirits mentally" during the summer, as he worked on a new album with Almond, titled the upcoming Danceteria, which is set for publication in the coming year.

"He was concentrated and very pleased with the new album that we literally completed only a short time ago," stated the vocalist in a heartfelt message.
"It's truly heartbreaking as next year was all set to be such an uplifting year for him, and I find comfort from the fact that he listened to the completed album and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the forefront of the electronic music scene in the beginning of the decade

Tributes

Almond described his collaborator as "a wonderfully brilliant musical genius", stating: "He was the heart and soul of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an immense part of my existence and for the music you gave me. I couldn't be where I am without your influence."

His Grid bandmate from The Grid, also paid tribute, recalling Ball's "constant humor" and "steadfast support".

"Forming a duo with someone is different from being in a group, the bond is incredibly close," he added.
"That's how it was with us. We experienced so many extraordinary, incredible, life-affirming experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Formative Years

Born into a one-parent family in the city of Chester in the late 50s, Ball was put up for adoption when he was 18 months of age.

He grew up in the seaside town with adoptive parents his caregivers, who changed his first name from Paul to David, alongside his younger sister Susan, who was also adopted.

He encountered Almond at Leeds Polytechnic in 1977, where they were both studying art. Inspired by a shared love of Northern Soul, they established Soft Cell the same year, and promptly produced an EP.

Musical Partnership

The pair were an unusual combination: Ball was the quiet technician, hunched over his synthesizer, while Almond was a charismatic showman, all glitter and makeup; but they achieved a rare musical alchemy.

Ball had cultivated a fascination with synthesizers after viewing the band Kraftwerk appear on a television program a popular series, and began to combine moody electronic sounds to the soaring melodies Almond was writing.

Their signature song became the UK's second most popular song of 1981, shifting millions of units globally. Together with hits by other artists, Human League and Ultravox, it contributed to paved the way for the synth-pop sound of the 1980s.

The track was also featured on their first album, Non-Stop Erotic Cabaret, which spawned two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the separate release, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The pair were working on fresh songs right up until Ball's passing

Career Highlights

Success had its upsides. "I loved being able to purchase my first home, having money and exploring, which makes me sound like a beauty queen," Ball recently told with a publication.

But it also caused problems. "Newfound wealth allowed we could afford newfound drugs to alleviate the monotony" of press appearances and television shows, Ball said.

"I know that's a common saying, but it's a cliché for a valid cause, because it works for so many bands."

Amidst the party-filled existence, the duo were also drifting apart, but they managed to create a follow-up classic album - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They put out one more album, their 1984 release This Last Night In Sodom, before ending the band to concentrate on individual endeavors.

Almond went on to have a prosperous individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed acid house with ambient pop over a enduring partnership.

Later Work and Comebacks

Soft Cell came back together in 2001, producing the Top 40 record Cruelty Without Beauty.

Following another hiatus, they returned in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the O2 Arena on 30 September, 2018.

Yet, they stayed active, recording their fifth album, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently described the duo's new album as a homage to the NYC nightlife they visited while making their initial records.

He added that his period in medical care had influenced the group's music.

"I had strange recollections when I was in and out of the hospital because I was on pain medication," he explained to a music magazine.
"The new songs are a digital reflection of the sounds in my head from that time.
"In parallel, it's about the times we had in the 80s."

The final mixes were finished only days before Ball passed away. It is scheduled for launch in the spring of 2026.

About the author

Michael Berger

A tech journalist and digital strategist with over a decade of experience covering emerging technologies and startup ecosystems.

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